The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim's point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film. Reexamining works by such film-makers as Renoi...(展开全部)

From screen kisses to gender roles, "Film, Form and Culture" explores the interaction between the movies and the society of which they are a part. Students are introduced to the elements of film - the shot, the cut, the soundtrack - and they are encouraged to think seriously about the means by which these elements shape an audience's understanding of the narrative. On a larger ...(展开全部)

丹尼艾尔·阿里洪（Daniel Arijon），乌拉圭电影剪辑师、编剧和导演。自1959年投身专业电影制作以来，他先后在乌拉圭、阿根廷、巴西和智利拍摄过多部新闻片、广告片、纪录片和故事片，也教授过电影课程，并在杂志上发表过若干专业文章。 译者：周传基，资深电影人、教授。1950年于山东大学文学院外国文学系毕业，获英国文学学士学位。中国电影家协会会员、中国电影音乐学会理事、中国电影剪辑学会理事、中国电影评论家学会会员。他是著名导演张艺谋、陈凯歌的老师，先后为无锡国际旅游电影节、夏威夷国际电影节担任评委，1995 年为美国旧金山大学讲授电影公共课，是中国著名的电影教育家。已出版专著《电影·电视·广播中的声音》、《影片读解》，译著《旧好莱坞/新好莱坞：仪式、艺术与工业》、《电影实践理论》、《电影导演工作》等。 组织者：孙明经，祖籍山东，生于南京。中国电影教...(展开全部)

Visual narrative formulas for anyone involved in the film and tape industry.

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

A brilliantly inventive novel about loss, growing up, and our relationship with things One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sen...(展开全部)

赵元任（1892.11.3—1982.2.24），汉族，字宣仲，又字宜重，原籍江苏武进（今常州）。清朝著名诗人赵翼后人。现代著名学者、语言学家、音乐家。 赵元任先后任教于美国康乃尔大学、哈佛大学、中国清华大学、中央研究院史语所、美国夏威夷大学、耶鲁大学、哈佛大学、密歇根大学，1947-1963年任教于加州大学伯克利分校并在伯克利退休。赵元任先后获美国普林斯顿大学（1946）、加州大学（1962）、俄亥俄州立大学（1970）荣誉博士学位，加州大学“教授研究讲师”（1967），北京大学荣誉教授（1981）。 赵元任是中国现代语言学先驱，被誉为“中国现代语言学之父”，同时也是中国现代音乐学之先驱，“中国科学社”的创始人之一。其语言学代表作有《现代吴语的研究》《中国话的文法》《国语留声片课本》等，音乐方面的代表作有《教我如何不想她》《海韵》《厦门大学校歌》等...(展开全部)

Grammar of Spoken and Written English The completely redesigned Grammar of Spoken and Written English is a comprehensive corpus-based reference grammar. GSWE describes the structural characteristics of grammatical constructions in English, as do other reference grammars. But GSWE is unique in that it gives equal attention to describing the patterns of language use for each gram...(展开全部)

Why do living things and physical phenomena take the form they do? D'Arcy Thompson's classic On Growth and Form looks at the way things grow and the shapes they take. Analysing biological processes in their mathematical and physical aspects, this historic work, first published in 1917, has also become renowned for the sheer poetry of its descriptions. A great scientist sensitiv...(展开全部)